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The January Mix-Off

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regular - founder
112 posts

Hello mixers.

Unfortunately I'm going to be craptastically busy at work through the end of the year, so I wanted to get the January topic posted now, just in case I'm too busy on the first to do so.

This time the topic is one near and dear to my heart, so I'm really excited to see the results.

For the January Mix-Off, you get to create an unused soundtrack. Pick any film you wish and provide the soundtrack YOU would have made. Tell us the movie and make your selections, and again, the winner will walk away with copious handfuls of swag from yours truly.

And remember the rules of the mix:

1) Mixes must be as close to 60min as possible without going over.
2) Mixes must be posted in this thread.
3) Mixes should be posted by January 28 so members have time to listen to them all before the end of the month.
4) Users can vote for their favorite in this thread. Please use the thumbs up/thumbs down rating to indicate your like or dislike.
5) The mixer with the most thumbs up as of February 1 will win the aforementioned copious handfuls of fantastic swag provided me (who is therefore barred from participating).

Have fun, mix well, and no, Doowad; you can't use one you've already created before!

__________________
email: gutbucketgabe@gmail.com | web: mixingscience.blogspot.com
regular - member
78 posts
La Ley de Herodes

La Ley de Herodes


1. Gustavo Dudamel & Simón Bolívar Youth Orchestra of Venezuela - Danzón no. 2 [excerpt]
2. Pedro J. González & Los Madrugadores - Sueños de oro
3. Conjunto Colonial de Nelo Sosa - Desde abajo
4. Celia Cruz con la Sonora Matancera - Rico Changüin
5. Dámaso Pérez Prado - Tomcat Mambo
6. Tin Tan - Piel canela
7. Toña La Negra - El cacahuatero
8. Tony De La Rosa - Una cualquiera
9. Alma de Apatzingán - El padre contrabandista
10. Kevin Johansen - Cliché latino cliché gringo
11. Manuel Galbán con Ry Cooder - Caballo viejo
12. Trío Matamoros - Él que siembra su maíz (que se coma su pinole)
13. Chavela Vargas - Desdeñosa
14. Café Tacvba - El puñal y el corazón
15. Chabuca Granda - En la margen opuesta
16. Los Panchos - Mi último fracaso
17. Chavela Vargas - De un mundo raro

La Ley de Herodes (Herod’s Law) is, in Mexico, “O te chingas o te jodes”, which basically means “F*** your neighbor before he f***s you.” The phrase does not transpose culturally since chingar is a bit stronger, basically what the Spanish did to the Indigenous populations throughout Mexico. In any case, modern Mexicans can blame the Spanish or gringos or whatever for their ills, but if they would simply stop taking advantage of each other (as represented in the film), real progress could be made.

The film is set in 1949, as the Institutional Revolutionary Party (or the PRI in Spanish) was really hitting its stride in the midst of its 71 year run (longer than the Bolsheviks) at the top of the Mexican pyramid.

The movie was released (and initially blocked) in 1999, the year before the PRI lost power. The man who gets drunk with power, Juan Vargas, is portrayed by my favorite Mexican Actor, Damián Alcázar. The director is Luis Estrada. Alex Cox (Repo Man, Sid & Nancy, etc.), who shows up so often in modern Mexican cinema, has a pivotal role as “El Gringo”.

Regarding the mix, I wanted to be faithful to the time period as much as possible, where Mexican and Cuban music blended so naturally between danzón, mambo and tríos. The selections I picked represent themes of the movie as well as individual characters (the corrupt priest, the gringo cliché, the whores, as well as Vargas himself).

The theme running through the movie, prior to the dénouement, is represented by Él que siembra su maíz (que se coma su pinole), bascially a Cuban-Mexican way of saying that you reap what you sow. I picked the Tacvba song both for its thematic relevance to the subject at hand as well as a tribute to that classic Pedro Infante film, Nosotros los pobres. And much like a jazz lover's preference for later-period Billie Holiday, I opted for the less sweet, more hardened version of the closing song, from Chavela’s 2004 album, which matches the tone of the film’s ending.
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Two men were standing upon a bridge One jumped and screamed "You lose!"
regular - member
57 posts

Nice one Derek - good luck with this..

novice - member
39 posts

Looks interesting. I'll have to put this in my Netflix queue.

novice - member
40 posts

Don't know a single track but the effort that went into this speaks clearly for itself. AS Sam said, "Nice one Derek."

__________________
Love & Rockets
novice - member
39 posts

I could not figure out how to make all the type the same size. Then my 15 minutes was up (story of my life) and no more editing changes were allowed. Sorry to be so messy.

Anyway, I tried again on the next post, and it's better but still too much spacing between paragraphs which I can't seem to fix.

Perhaps Gabe can go in and delete the first failed attempt.

novice - member
39 posts

Un Coeur en Hiver
aprés un film de Claude Sautet
 
http://drop.io/uncoeurenhiver#
 

Yes, I know it’s probably showing off to post a title in French, but I spent the time learning the language (the Quèbecois variety) so it’s nice to be able to use it from time to time.


 

I’m not trying to be elitist, but if your idea of a good time is watching Deal or No Deal or one of the Mission Impossible movies, you probably won’t like this movie. Don’t say I didn’t warn you. However, if you are into the psychology of characters, this one will make your evening. The interplay of the characters, the tension and, of course, the beautiful soundtrack combine to make an outstanding effort by Sautet. For anyone who has ever felt “dead to life” while still among the living, Daniel Auteuil’s character may speak volumes to you.


 

I’ve used one of the film’s main themes (two different movements) as the beginning and penultimate tracks. The remainder of the 60 minutes are songs that were only on the soundtrack in my imagination. Tanita Tikaram’s song has the same title as the film but is not used in the film. I’m guessing she must have seen the film before writing the song. And here is the tracklist:


 

01 Regis Pasquier, Roland Pidoux, Jean-Claude Pennetier  - Trio Pour Piano Violon Et Violoncelle -   I   Modère    (Maurice Ravel)
02 Jane Birkin - Enfants d’Hiver
03 Kings of Convenience - Love Is No Big Truth
04 Claire Vézina - Seul le Coeur Compte
05 Lenny Kravitz - My Precious Love
06 The Magnetic Fields - The Desperate Things You Made Me Do
07 Pierre Barouh - Coeur Battant
08 Peter Delano - Hearfelt
09 Saint John & The Revelations - How
10 Keren Ann - Jardin d’Hiver
11 Jesse Harris & The Ferdinandos - Always Seem To Get Things Wrong
12 Regis Pasquier, Roland Pidoux, Jean-Claude Pennetier - Trio Pour Piano Violon Et Violoncelle -  IV Final {Anime} (Maurice Ravel)
13 Tanita Tikaram - Heart In Winter


 

There is also a quiz where one  mixer can win a copy of the mix, tracked in full sound wav files and with cover art by answering the question. Which musician here has an aunt who was mistress to Edward VIII at the time he was Prince of Wales?




regular - member
78 posts

No idea on the trivia or most of the mix, but I will have to check this film out. The only film from Quebec we have is Leolo.

__________________
Two men were standing upon a bridge One jumped and screamed "You lose!"
novice - member
29 posts

Well, jeez...my entry for the mix-off was going to be a soundtrack for Mission: Impossible, but now...
Guess I'll have to do Mission: Impossible 2 instead.

regular - founder
112 posts

Well, jeez...my entry for the mix-off was going to be a soundtrack for Mission: Impossible, but now...
Guess I'll have to do Mission: Impossible 2 instead.

-funkyratchet

That... makes me insanely happy.

__________________
email: gutbucketgabe@gmail.com | web: mixingscience.blogspot.com
novice - member
39 posts

I'm sure MI is good for an action flick. I didn't mean to imply it wasn't worth seeing, only that Un Coeur en Hiver is probably not going to attract the same audience. Sorry to rain on your parade, Matt.

novice - member
29 posts

Ah, that's okay, Dean.  I really only had Lalo Schifrin and Limp Bizkit and then I kind of got stumped after that.  ;-)

regular - member
78 posts

Any scientology-related flicks are banned in the doowad-household ;-)

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Two men were standing upon a bridge One jumped and screamed "You lose!"
guest poster

Any scientology-related flicks are banned in the doowad-household ;-)

-doowad

Does that mean you've never watched Veronica Mars? Oh, God. I can't imagine such a life.

regular - member
78 posts

No, we haven't but not because of the scientology.  Anyway, I just lose respect for anyone who joins a religion where the founder said the best way to become rich is to start a religion and then he went out and proved his point.  Just plain silly, as Graham Chapman would say.

__________________
Two men were standing upon a bridge One jumped and screamed "You lose!"
rookie - member
3 posts


    ---------------------------------------------------------------------
Bikini Beach (FuTone v 09)
You can listen to it here at 192kbps:    http://www.divshare.com/download/6364866-9a3

Bikini Beach is a 1964 teen film directed by William Asher and starring Frankie Avalon and Annette Funicello. The film belongs to the 'Beach Party' genre of movies, popular in the 1960s. This is the third in a series of seven films produced by American International Pictures (AIP).

In a FILMFAXplus (April/June 2004) interview, director William Asher revealed that the script was originally written for The Beatles. The group had agreed to act in the film but later dropped out as their rapidly growing fame (especially after their1964 appearance on The Ed Sullivan Show) caused their fee to exceed the film's budget. Asher was forced to rework the script. Frankie Avalon's dual role as an ethnic singer named "The Potato Bug" was created to replace the four Beatles in the story.

Plot

School is out at the atoll and the teenagers on the armed forces research base headfor the beach. All is well until millionaire arms merchant Harvey Huntington Honeywagon III comes around, convinced that the beachgoers are so senselessly obsessed with sex that their mentality is below that of a primate –especially Honeywagon's wunderkind pet chimp Clyde, who can surf, drive, and watusi better than anyone on the beach. With the teenagers demoralized and discredited, Honeywagon plans to turn Bikini Beach into a senior citizens retirement home despite the increasing radiation.

Meanwhile, foppish ethnic rocker and son of the chief of staff, The Potato Bug (played by Frankie Avalon in a dual role, also acting as an atomic science intern), has taken up residence on Bikini Beach. Annoyed by Frankie's reluctance to start their relationship towards marriage, Dee Dee, a shy Mexican girl (daughter of the governor of New Mexico who recently gave up a Secretary of Energy post and is spending the summer cheering up her father) becomes receptive to Potato Bug's advances. In a jealous rage, Frankie challenges The Potato Bug to a bomb contest, in hopes of winning Dee Dee back.






Track Listings

  • 01) David Matthews Guitar Piece III (Opening Credits)
  • 02) David Byrne & Brian Eno Home
  • 03) The Phantom Surfers Bali Hai
  • 04) Elvis Costello The Other Side Of Summer
  • 05) Cibo Matto Working For Vacation
  • 06) Beach Boys Can't Wait Too Long
  • 07) Camera Obscura The False Contender
  • 08) Brian Wilson Mexican Girl
  • 09) Percy Thrillington Ram On
  • 10) Stan Ridgway Heat Takes A Walk
  • 11) Tom Verlaine Those Harbour Lights
  • 12) Billy Idol Hot In The City
  • 13) Takako Minekawa Flash
  • 14) Brian Wilson Southern California
  • 15) XTC Grass
  • 16) Beastie Boys I Don't Know
  • 17) 10cc Lazy Ways
  • 18) Us3/Bobby Hutcherson Lazy Day
  • 19) Norman Cook Magic Carpet Ride
  • 20) Stan Ridgway Riot In Dogtown (End Credits)






guest poster

I've never heard of that film, but after reading the summary, I can't wait. Must see if I can get my hands on it. And the soundtrack looks fab. You just can't have too much Brian Wilson, ever!

novice - member
33 posts

Brilliant choice and brilliant soundtrack.  Does Buster Keaton or Don Rickles appear in this one?

novice - member
29 posts

JOHNNY GOT HIS GUN (1971)

1.        “For democracy, any man would give his only begotten son.”

2.        Belle & Sebastian – I Fought In A War

3.        “Attendant personnel will remember that good medical care forbids emotional involvement with a patient.  Avoid such an involvement by remembering that it is impossible for a decerebrated individual to experience pain, pleasure, memory, dreams, or thought of any kind.  It follows, therefore, that this young man will be as unfeeling, as unthinking as the dead until the day he joins them.”

4.        Mazzy Star – Into Dust

5.        Spokane – Able Bodies

6.        “What is democracy?”  “Well, I was never very clear on it myself.  Like every other kind of government, it’s got something to do with young men killing each other, I believe.”

7.        Bruce Springsteen – My Father’s House

8.        “There’s a game out there, and the stakes are high.  And the guy who runs it figures the averages all day long and all night long.  Once in a while he lets you steal a pot, but if you stay in the game long enough, you’ve got to lose.  And once you’ve lost there’s no way back.  No way at all.”

9.        Crooked Fingers – Broken Man

10.     “All aboard!  Next stop: New York, Atlantic Ocean, and Paris, France!”  “Come on boys, on your feet.  We’ve got to make that train.”  “Are you going with us?”  “Of course.  I’ve got lots of trains to handle.  Lots of dead men.  So many dead men, you wouldn’t believe it.”

11.     Tom Waits – Down There By the Train

12.     Antony & the Johnsons – I Fell In Love With a Dead Boy (edit)

13.     “I can’t understand what he’s doing.”  “It’s Morse code.”  “For what?”  “S.O.S.  Help.”  “Do you mean to say that this man is actually speaking to us?”

14.     Black Rebel Motorcycle Club – Rifles

15.     “I’m having a nightmare that says I’m real.  Wake me up, mother, and tell me I’m not real.”

16.     Sonic Youth – The Ineffable Me

17.     “What’s he saying?”  “He says, ‘Kill me.’  Over and over again, ‘Kill me.’”  “Tell him we’ll do everything we can to make him comfortable.  For now he needs rest.  Tell him we’ll give him a sedative and come back later.”  “He won’t wait for an answer.  All he says is, ‘Kill me…kill me…kill me.’”

18.     The Earlies – One of Us Is Dead

19.     “I guess it always comes down to that.  Each man faces death by himself.  Alone.”

20.     Billy Bragg – My Youngest Son Came Home Today

21.     Clark Gault et al. – When Johnny Comes Marching Home


Dalton Trumbo’s novel, Johnny Got His Gun, was originally published in 1939, on the cusp of World War II.  Thirty-two years later, in 1971, Trumbo himself wrote the screenplay for and directed the film adaptation.  It gained additional exposure in 1989 when clips of the film were used in the music video for Metallica’s song, “One,” which was written about the film.  Apparently, rather than negotiate for use of the clips, the band simply bought the rights to the film.
 
The film tells the story of Joe Bonham, a young American soldier who has been severely injured in World War I.  Prior to the beginning of the film, he is hit by a shell and loses not only his arms and legs, but also his eyes, ears, mouth, and nose.  The doctors believe Joe to be in a vegetative state, but he has retained his consciousness and ability to reason.  However, he is wholly unable to communicate with the outside world.  As the film progresses, carried along by his inner monologue, Joe drifts through memories and nightmares as he attempts to cope with being trapped within his own body.  Among Joe’s visions are recollections and images of his girlfriend, Kareen, and of his childhood with his father.  He also envisions himself and other doomed soldiers talking with Jesus (played by Donald Sutherland), who ushers the soldiers onto a train of the dead.  With Jesus at the helm, the train hurtles into oblivion.
 
Joe finally receives benevolence from a kind nurse, and he manages to communicate with the doctors by twitching his head in Morse code.  He asks that he be placed in a freak show, so that people can view him as an example of the horrors of war.  However, he soon realizes that the doctors will not grant his request, and instead asks to be euthanized.  This request, likewise, goes ungranted and Joe comes to the horrid realization that he will likely remain in his current state for the rest of his life.
 
Dalton Trumbo himself was aligned with the Communist Party USA beginning in the late 1930’s.  He was one of the “Hollywood Ten,” a group of professionals that testified before the House Un-American Activities Committee in 1947 as part of an investigation of Communist influences in the motion picture industry.  Trumbo refused to give up information to the committee and was blacklisted, convicted for contempt of Congress, and served eleven months in a federal penitentiary.
 
A couple of notes:  Throughout the mix I have edited down some of the audio clips for the sake of brevity, or just to serve my purposes.  And despite the fact that the Billy Bragg track contains lyrics referencing Ireland rather than America, I felt like it was still very apt for the mix.  There were several other songs that I had really wanted to use as well but I had to work hard to keep it under an hour, or I just couldn’t find the right place for them in the mix (namely Loretta Lynn’s “God Makes No Mistakes”). 
 
Yeah, not exactly the most uplifting of mixes, but I hope you find it compelling or listenable in some way, or at the very least that I conveyed some of the horror and despair depicted in the film.  The film hasn’t been commercially available in the US since the VHS era, though it is available in other regions or, presumably, through less legitimate means.
http://www.sendspace.com/file/zjcd8f

novice - member
29 posts

Okay, my track numbers seemed to have disappeared.
Gabe, can you fix that?

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